Sanctuary

  • Inigo Ford
  • About Inigo
  • art works
  • Linstock
  • Brampton
  • Mirror
  • Beam
  • Derry
  • joseph-beuys-you didn't come to our party
  • rope
  • orange beam
  • entrapment
  • don't assume no 1
  • just-to-see their faces
  • Thesis
  • Russia 1917
  • fear
  • Portrait of Peter Lanyon
  • suprematist iconography
  • Matthew Mark Luke John No 2
  • metamorphosis
  • self-portrait as another artist
  • quaker prayer
  • The Lost Tribes of Israel
  • angels wing
  • I've never been to India
  • The old silver clock waits for us all
  • King and Queen
  • mother was four
  • The Redmen-of- Egremont
  • Braques Birds Fly Over Malevich Square
  • My memories from before I was born
  • Self-portrait with YK - 48
  • pax
  • Solfest Time Capsule
  • the end
  • apple tree
  • lost-king of Wasdale
  • untitled
  • Carpenters Son
  • understanding
  • the-circle-is-not-relevant
  • self portrait
  • matthew-mark-luke-john-no1
  • A very English upbringing
  • no retreat no surrender
  • Heart of the mine
  • When Christ Met Buddha
  • Rothkos' final nightmare
  • 1928 - 1962
  • Good Friday
  • polaris returned
  • zero ten
  • Phoenix
  • sus
  • Glass of Silence
  • The Void
  • 13
  • Four Seasons
  • Water Music
  • Publication
  • contact
  • Derry and Beam
  • Joseph Beuys you didn't come to our party - Inigo
  • don't assume
  • king detail
  • Nether Wasdale


 

 

 

Cathedrals seem to be among the scarce places where congregations are growing. Attractive without demanding commitment, they introduce the Christian past into the secular present, and patiently celebrate the presence of God in a society where the divine is as optional as poetry. They take risks, often using the arts experimentally in creative theology, venturing into the radical and the prophetic. They provide spiritual hospitality to the jaded; a place to re-imagine the familiar; space to renew and redeem lives.They offer sanctuary. Celebrating the life of one particular cathedral, Sanctuary is a collection of poems that emerged from prize-winning poet Martyn Halsall's year in residence at Carlisle Cathedral in 2013. Based on his observations, notes and interactions, they reflect the wonders, joys and rhythm of cathedral life.

Cover Art Work by Inigo Ford

Publication also contains two poems reflecting on two of Inigos' art works.